18th century Archive
CHARLES AVISON: Concerti After Scarlatti – Accademia Mandolinistica Pugliese – Digressione Music
CHARLES AVISON: Concerti After Scarlatti – Accademia Mandolinistica Pugliese – Digressione Music DCTT63, 75:05 [Distr. by Naxos] (10/28/16) ***½: (Leonardo Lospalutti, director/ Mauro Squillante; 1rst mandolin / Gaetano Ariani; 2nd mandolin / Valerio Fusillo; mandolo / Antonio Barracchia; mandocello) Charles Avison’s Scarlatti Concerti treated to an all-mandolin extravaganza. One might imagine that, when Domenico Scarlatti finally published his epochal “essercizi per gravicembalo” in 1742, his fame would have soared back in his native Italy. There, his work would have found both a cultivated audience and the keyboard virtuosi capable of the radical demands of the new music. Moreover, the name Scarlatti would have been a well-recognized brand. But as it happened, it was in England that Scarlatti’s music had the largest influence. Scarlatti was, to quote Burney, “the wonder and delight of every hearer who had a spark of enthusiasm about him, and could feel new and bold effects intrepidly produced by the breach of almost all the old and established rules of composition” (Kirkpatrick, Domenico Scarlatti). Of course, the London music scene was already dominated by Handel and Geminiani. Continental composers enjoyed a great period of commercial success in the 18th Century. However, the way Scarlatti made his way […]
ANTONIO SOLER: Keyboard Sonatas + Six Concertos for Two Organs [DiscList follows] – Pieter-Jan Belder, harpsichord & fortepiano/ Maurizio Croci & Pieter Van Dijk, organs – Brilliant Classics
A terrific and fairly complete Soler set at a bargain price.
Il Giardino Armonico’s latest: La Casa Del Diavolo (Naive)
Devilish works of GLUCK, LOCATELLI, BOCCHERINI & 2 BACHS played with flaming gusto