absolute music Archive
ELGAR: Symphony No. 1 in A-flat Major – Staatskapelle Berlin/ Daniel Barenboim – Decca
Daniel Barenboim revisits the Elgar Symphony No. 1 with fertile and heroic results. ELGAR: Symphony No. 1 in A-flat Major, Op. 55 – Staatskapelle Berlin/ Daniel Barenboim – Decca 478 9353, 51:26 (3/11/16) [Distr. by Universal] ****: Sometimes lauded as “England’s first symphony,” the 1908 Symphony No. 1 in A-flat Major of Sir Edward Elgar found an early acolyte in conductor Hans Richter, who saw in the music a more cosmopolitan voice than had been the wont of similar efforts from Stanford, Sullivan and Parry. For Elgar himself, the model of Brahms – especially his F Major Symphony – stood as a pinnacle of excellence in ‘absolute music,’ a genre specifically avoiding any sense of a ‘program’ in the manner of Richard Strauss. It seems small wonder that for Barenboim – who has traversed this music prior with different orchestras – should have been influenced by his own Brahms experience – having collaborated with that other Elgar maestro, Sir John Barbirolli, in their Brahms concertos inscribed for EMI. The present recording of the Elgar First Symphony (19-21 September 2015) finds Barenboim and ensemble in an expansive, luxurious mode, opening the famous “noble and simple” motto theme – the germ cell […]