Arabian Nights Archive

ADAMS: Scheherazade.2 – St. Louis Sym./David Robertson – Nonesuch

ADAMS: Scheherazade.2 – St. Louis Sym./David Robertson – Nonesuch

John Adams’ new Violin Concerto is dramatically compelling. JOHN ADAMS: Scheherazade.2 – Leila Josefowicz, v./ St. Louis Sym./David Robertson – Nonesuch 557170, 47:35 ****: One of the characteristics that is so endearing about John Adams’ music is that it reflects the variety of emotional and intellectual Zeitgeist of our times. It can be deep and profound (The Wound Dresser), humorous (Lollapalooza), comment on politics (Nixon in China), or make a statement about a societal issue. He has showed a previous interest in portraying events from a women’s perspective—his oratorio El Nino expresses the Nativity from a women’s point of view. “How could you tell this story in the year 2000 and not have a woman’s voice?” he exclaimed. In his new violin concerto, Scheherazade.2, Adams uses the story of Scheherazade in the tales of the Arabian Nights to express his anger at violence against women in today’s culture. In 2013 the composer saw an exhibit in Paris at the Arab World Institute about the history of the “Arabian Nights” collection of folk stories. Scheherazade was forced into a marriage with a Persian king who seduced a virgin each night and executed her the following morning. Scheherazade’s clever stories delayed her […]

Destiny (Fritz Lang), Blu-ray (1921/2016)

Destiny (Fritz Lang), Blu-ray (1921/2016)

A fascinating Gothic silent by one of the leading German directors. Destiny (Fritz Lang), Blu-ray (1921/2016) Director: Fritz Lang Cast: Lil Dagover, Walter Janssen, Bernard Goetzke Studio: Decla-Bioscop (Weimar Republic)/Blackhawk Films/ Flicker Alley FA-MD3 036 Video: 4:3+ for 16:9 screens, B&W 1080p HD Audio: English titles by Ulrich Ruedel Music: Orig. score played by Mont Alto Motion Picture Orch. using film music arrangements of the period Length: 99 min. Rating: **** This important silent film was highly influential for its unusual presentation and special effects and helped persuade Hitchcock and Bununel to get into cinema. It is structured as a frame tale with three stories of a fantasy-historical nature within the main story. Human lives are each represented by a candle burning in a huge vault. Death is a man who gives the young woman (Lil) three chances to save her lover from death, if love can triumph over death. The first of the three stories is set in the Arabian Nights, and Douglas Fairbanks purchased the American rights so he could delay its opening and copied some of the special effects for the Persian segment of his Thief of Bagdad. The second story is a Renaissance-Venetian romance and the […]