Carnegie Archive

VAUGHAN WILLIAMS: Sym. No. 2, “A London Symphony”; Sym. No. 8 ‒ Royal Liverpool Philharmonic Orch. / Andrew Manze ‒ Onyx

VAUGHAN WILLIAMS: Sym. No. 2, “A London Symphony”; Sym. No. 8 ‒ Royal Liverpool Philharmonic Orch. / Andrew Manze ‒ Onyx

VAUGHAN WILLIAMS: Symphony No. 2 in G, “A London Symphony”; Symphony No. 8 in d‒ Royal Liverpool Philharmonic Orch. / Andrew Manze ‒ Onyx 4115, 75:33 (4/29/16) ****: Symphonies from the opposite ends of Vaughan Williams’ symphonic career. Interesting programming choice and fine performances. It’s interesting to note that Ralph Vaughan Williams’ first two symphonies started life as something other than symphonies. Symphony No. 1 is a reworking of movements intended as a cantata about the sea based on the poetry of Walt Whitman, a favorite author among English composers at the turn of the century. The result: a vast choral symphony that was really something new, especially in English music. A hit at the 1910 Leeds Festival and critically acclaimed as well, The Sea Symphony would seem to have immediately precipitated Vaughan Williams’ long and successful career as a symphonist. Not so, apparently. For some reason Vaughan Williams had misgivings about writing a symphony thereafter and had to be persuaded by his friend the English composer George Butterworth to consider a new symphonic project. So Vaughan Williams converted a work in progress, a tone poem about the city of London, into his Symphony No. 2, which was premiered in […]