Falla Archive

The Music Treasury, 1 April 2018

This week, The Music Treasury is presenting a collection of performances by esteemed composers who could also wield the baton before a responsive ensemble. The dates of  the performances range from the electrical era of 78rpm through 1965, live from Boston. The show is hosted by Dr Gary Lemco, and airs 1 April 2018, from 19:00 – 21:00 PDT on the host station at Stanford, kzsulive.stanford.edu.  It may also be heard through its parallel streaming broadcast on the ‘Net at that time. Here is a summary of the composer/conductor and their pieces to be heard on the evening show: Shreker: Little Suite for Chamber Orchestra Falla: Harpsichord Concerto (Falla, harpsichord/ens.) Rubbra: Symphony No. 4, Op. 53 Ketelby: By the Blue Hawaiian Waters Chavez: La Hija de Colquide Ruggles: Portals (cond. By Aaron Copland/Boston Symphony) Glazunov: The Seasons, Op. 67: Summer and Autumn

Cantelli: New York Phil.-Symph. Orch., Vol. I = Works of HAYDN, MOZART, RAVEL, de FALLA, VIVALDI, BEETHOVEN, PISTON, COPLAND – Walter Gieseking (p.) / New York Phil. Symph. Orch./ Guido Cantelli – Pristine Audio

Cantelli: New York Phil.-Symph. Orch., Vol. I = Works of HAYDN, MOZART, RAVEL, de FALLA, VIVALDI, BEETHOVEN, PISTON, COPLAND – Walter Gieseking (p.) / New York Phil. Symph. Orch./ Guido Cantelli – Pristine Audio

Cantelli: New York Philharmonic-Symphony Orchestra, Vol. I = HAYDN: Symphony No. 93 in D Major; MOZART: Piano Concerto No. 21 in C Major, K. 467; RAVEL: Pavane pour une infant defunte; FALLA: El Sombrero des Tres Picos: Suite No. 2; VIVALDI: Concerto Grosso in d minor, Op. 11, No. 3; BEETHOVEN: Piano Concerto No. 3 in c minor, Op. 37; PISTON: Toccata; COPLAND: El Salon Mexico – Walter Gieseking, piano/ New York Philharmonic-Symphony Orchestra/ Guido Cantelli – Pristine Audio PASC 501 (2 CDs) TT: 2:26:56 [www.pristineclassical.com] *****: Two explosive, thoroughly engaging concerts from Carnegie Hall remind us of the glories of Guido Cantelli’s work with the baton.  The legacy of Italian virtuoso conductor and Toscanini protégé Guido Cantelli (1920-1956) finds sonorous revival through Pristine’s Andrew Rose, here offering two, live CBS Radio broadcasts from successive weeks in March, 1955 from Carnegie Hall. It would be too facile to consider the gifted Cantelli a merely “youthful version” of Arturo Toscanini, despite their several, superficial similarities. Cantelli maintained his own ideas in relation to repertory and structure, often – say in his powerful rendition of the Schumann Fourth Symphony – revealing a sense of tempo and transition much closer to the German […]

Jose Iturbi – The Victor and HMV Solo Recordings – APR (3 discs)

Jose Iturbi – The Victor and HMV Solo Recordings – APR (3 discs)

BJose Iturbi – The Victor and HMV Solo Recordings [TrackLists follow] =  APR 7307 (3 CDs), 73:15, 72:35, 65:56 (7/1/16) [Distr. by Naxos] ****: A master pianist from the past, whose recordings may interest many today. The name of Jose Iturbi (1896-1980) invokes mixed reactions from classical music enthusiasts: Iturbi earns credit as a fine pianist and musician – including extended service as a conductor – with some reservations about his decision to follow a “populist” path by way of his Hollywood “matinee idol” associations. Yet, few could dispute Iturbi’s mastery of keyboard technique, gleaned from Maria Jordan and such luminaries as Joaquin Malats, Victor Staub and Wanda Landowska. The fluidity of Iturbi’s style perhaps best finds expression in his Mozart, of which we have here – assembled by master engineer Mark Obert-Thorn – two piano sonatas; these to complement his famed recordings (on the Ivory Classics label, 70908) of the F Major Sonata, K. 332, the 2-Piano Concerto and D Minor Concerto, the former concerto with his gifted sister, Amparo. Besides the stylistic Mozart works – praised by William Kapell as “the evenest playing I know” – the Chopin group, recorded 1944-1952, reveals a firmly muscular style, quite supple, […]

“Basso Bailando” – PIAZZOLLA: The Four Seasons in Buenos Aires; ROTA: Divertimento Concertanto for double bass & orch.; FALLA: Seite Canciones Populares Espanolas – Rick Stotijn, doublebass/ Malin Broman, v./ Lavinia Meijer, harp/ Swedish Radio Sym. Orch. – Channel Classics “Oblivion” – SCHOENFIELD: Café Music; PIAZZOLLA: The Four Seasons in Buenos Aires; Oblivion; La Muerte del Angel; Libertango; TURINA: Circulo; ALBENIZ: Tango – Gelius Trio – Thorofon standard CD

“Basso Bailando” – PIAZZOLLA: The Four Seasons in Buenos Aires; ROTA: Divertimento Concertanto for double bass & orch.; FALLA: Seite Canciones Populares Espanolas – Rick Stotijn, doublebass/ Malin Broman, v./ Lavinia Meijer, harp/ Swedish Radio Sym. Orch. – Channel Classics “Oblivion” – SCHOENFIELD: Café Music; PIAZZOLLA: The Four Seasons in Buenos Aires; Oblivion; La Muerte del Angel; Libertango; TURINA: Circulo; ALBENIZ: Tango – Gelius Trio – Thorofon standard CD

Two fine tango/Spanish albums with just strings – no bandoneon.

“Basso Bailando” – PIAZZOLLA: The Four Seasons in Buenos Aires; ROTA: Divertimento Concertanto for double bass & orch.; FALLA: Seite Canciones Populares Espanolas – Rick Stotijn, doublebass/ Malin Broman, v./ Lavinia Meijer, harp/ Swedish Radio Sym. Orch. – Channel Classics “Oblivion” – SCHOENFIELD: Café Music; PIAZZOLLA: The Four Seasons in Buenos Aires; Oblivion; La Muerte del Angel; Libertango; TURINA: Circulo; ALBENIZ: Tango – Gelius Trio – Thorofon standard CD

“Basso Bailando” – PIAZZOLLA: The Four Seasons in Buenos Aires; ROTA: Divertimento Concertanto for double bass & orch.; FALLA: Seite Canciones Populares Espanolas – Rick Stotijn, doublebass/ Malin Broman, v./ Lavinia Meijer, harp/ Swedish Radio Sym. Orch. – Channel Classics
“Oblivion” – SCHOENFIELD: Café Music; PIAZZOLLA: The Four Seasons in Buenos Aires; Oblivion; La Muerte del Angel; Libertango; TURINA: Circulo; ALBENIZ: Tango – Gelius Trio – Thorofon standard CD

Two fine tango/Spanish albums with just strings – no bandoneon.