folk song Archive

BEETHOVEN & BRUCH Violin Concertos – Accardo & Masur – Pentatone

BEETHOVEN & BRUCH Violin Concertos – Accardo & Masur – Pentatone

Accardo and Masur combine for splendid work in pillars of the violin concerto repertory. BEETHOVEN: Violin Concerto in D Major, Op. 61; BRUCH: Violin Concerto No. 1 in g, Op. 26 – Salvatore Accardo, violin/ Gewandhausorchester Leipzig/ Kurt Masur – Pentatone RQR multichannel (4.0) SACD PTC 5186 237, 71:22 (10/21/16) [Distr. by Naxos] ****: Italian virtuoso violinist Salvatore Accardo (b. 1941) still reigns as a recognized “heir” to Niccolo Paganni, especially given his recorded survey of the six Paganini concertos with Charles Dutoit. Accardo and Kurt Masur recorded the present (Philips) coupling of the Beethoven Concerto and the First Bruch Concerto in 1977-1978, the latter a particularly happy rendition since conductor Masur (1927-2015) had immersed himself in much of Bruch’s symphonic repertory, besides. The Beethoven Concerto receives a gentle, lyric, Apollinian approach, to my mind much in the tradition of splendid rendition Oistrakh and Cluytens made for EMI. Nothing of the expansive, first movement Allegro ma non troppo feels rushed: the phrase arches evolve lustrously, with seamless attention to the rhythmic pulse over which the violin weaves its beguiling tapestry, sempre perdendosi, forgetting itself. When Masur requires a more monolithic effect, the Gewandhaus certainly swells to the occasion, but without […]

Jasper Hoiby, doublebass – Fellow Creatures – Edition

Jasper Hoiby, doublebass – Fellow Creatures – Edition

Jasper Hoiby, doublebass – Fellow Creatures – Edition EDN1075, 55:11 (7/15/16) *****: (Jasper Hoiby – bass, composer/ Mark Lockheart – saxophones/ Laura Jurd – trumpet/ Will Barry – piano/ Corrie Dick – drums) Vital new music from a Danish bassist and composer that features group interaction at the highest level. As I look out the window at the mud and the rain on what seems like an especially cruel and dark November day, I can’t say that I’m in the mood for an up rendition of “Autumn Leaves.” Nor does the doctor recommend any nerve-flaying aggression. Likewise, I politely decline musical narcotics and soporifics, accepting the condition of being fully awake in the world.  What is called for is a new music which will affirm the old verities: Intelligent composition, comradely interaction, and hard swinging. If it can conjure up a world that is friendly to man and beast, all the better. We first meet Jasper Hoiby standing on a dock in Denmark. He looks like a thoughtful Viking, who, having surveyed the blue horizon, has decided to do some work on the land. [I thought he was just thinking “Why are you taking a photo of me?”…Ed.]  The title […]