Irmgaard Seefried Archive

MOZART: Violin Concerto No. 5 in A Major K. 219 “Turkish”; HENZE: Violin Concerto No. 1; MARTIN: Magnificat – Wolfgang Schneiderhan, v./ Irmgaard Seefried, sop./ Swiss Festival Orch./var. conductors – Audite

MOZART: Violin Concerto No. 5 in A Major K. 219 “Turkish”; HENZE: Violin Concerto No. 1; MARTIN: Magnificat – Wolfgang Schneiderhan, v./ Irmgaard Seefried, sop./ Swiss Festival Orch./var. conductors – Audite

Austrian virtuoso violinist Wolfgang Schneiderhan explores classic and modern scores at the Lucerne Festival. MOZART: Violin Concerto No. 5 in A Major K. 219 “Turkish”; HENZE: Violin Concerto No. 1; MARTIN: Magnificat – Wolfgang Schneiderhan, v./ Irmgaard Seefried, sop./ Swiss Festival Orch./ Paul Hindemth (Mozart)/ Ferdinand Leitner (Henze)/ Bernard Haitink (Martin) – Audite 95.644, 65:07 (10/31/16) [Distr. by Naxos] ****: Austrian violinist Wolfgang Schneiderhan (1915-2002) appears thrice at the Lucerne Festival, an organization with whom he made music from 1949 until 1986. The performance of the Mozart Turkish Concerto (13 August 1952) represents the earliest documentation of Schneiderhan’s participation at the Festival, ably assisted by conductor Paul Hindemith, who had replaced Wilhelm Furtwaengler on short notice. With conductor Ferdinand Leitner (1912-1996) – General Music Director of the Stuttgart State Opera and the Zurich Opera House – Schneiderhan performs the 1947 Violin Concerto No. 1 by Hans Werner Henze (26 August 1964), a  work that combines some of Hindemith’s academicism with elements of Alban Berg and Bela Bartok. Bernard Haitink appears (14 August 1968) in the Frank Martin Magnificat, a piece the composer dedicated to the principals, Irmgaard Seefried and Wolfgang Schneiderhan, and in 1969 incorporated into his Maria-Triptychon as its second […]