Marc-Andre Hamelin Archive
![MEDTNER: Piano Concerto No. 2 in c; RACHMANINOV: Piano Con. No. 3 in d – Marc-Andre Hamelin, p./ London Philharmonic Orch./ Vladimir Jurowski – Hyperion](https://www.audaud.com/wp-content/uploads/2017/03/HamelinplaysMedtner.jpg)
MEDTNER: Piano Concerto No. 2 in c; RACHMANINOV: Piano Con. No. 3 in d – Marc-Andre Hamelin, p./ London Philharmonic Orch./ Vladimir Jurowski – Hyperion
Hamelin exhibits colossal technique and vitality in two Russian concertos that lack the magic of a live concert. MEDTNER: Piano Concerto No. 2 in c, Op. 50; RACHMANINOV: Piano Concerto No. 3 in d, Op. 30 – Marc-Andre Hamelin, p./ London Philharmonic Orch./ Vladimir Jurowski – Hyperion CDA68145, 82:09 (3/31/17) [Distr. by HM/PIAS] ****: The music of Nikolai Medtner (1880-1951) seems to enjoy a kind of renaissance, especially as the more familiar keyboard works from the Russian repertory become tired. Often referred to as “the Russian Brahms,” Medtner (rec. 7 March 2016) scores his works into a classical structure rife with rhythmic propulsion and thick harmonic syntax, but almost always within a conservative, tonal parameter. The Second Piano Concerto (1920-27) bears a dedication to Serge Rachmaninov, and it arranges its three movements as a kind of bravura dance suite: Toccata: Allegro risoluto; Romanza: Andane con moto; and Divertimento: Allegro risoluto e molto vivace. The piano constitutes the main ingredient in the Second Concerto, and is virtually ever-active. Only prior to a cadenza entry does the piano remain silent. The attraction of the first movement lies in a clearly Russian, militant character, offset by a folksy lyricism. Medtner seems to favor […]
![ORNSTEIN: Piano Quintet; String Quartet No. 2—Marc-Andre Hamelin, p./Pacifica Q.—Hyperion](https://www.audaud.com/wp-content/uploads/2015/11/Ornstein-PianoQ.jpg)
ORNSTEIN: Piano Quintet; String Quartet No. 2—Marc-Andre Hamelin, p./Pacifica Q.—Hyperion
Wildly dramatic and lyrical chamber music from an American original.
![BUSONI: Late Piano Music [TrackList follows] – Marc-André Hamelin, piano – Hyperion (3 CDs)](https://www.audaud.com/wp-content/uploads/2014/11/BusoniPianoMUSIC.jpg)
BUSONI: Late Piano Music [TrackList follows] – Marc-André Hamelin, piano – Hyperion (3 CDs)
A rich collection for piano connoisseurs of the late Romantic period, performed with impeccable polish and insight by Marc-André Hamelin.
![JANACEK: On the overgrown path (Book I); SCHUMANN: Waldszenen; Kinderszenen – Marc-Andre Hamelin, p. – Hyperion](https://www.audaud.com/wp-content/uploads/2014/07/SCHUMANNJanachek.jpg)
JANACEK: On the overgrown path (Book I); SCHUMANN: Waldszenen; Kinderszenen – Marc-Andre Hamelin, p. – Hyperion
Hamelin once again proves his mettle as a fine Schumann interpreter, and adds Janacek’s masterpiece as a romantic sequel.
![HAYDN: Piano Concertos No. 3 in F, No. 4 in G, No. 11 in D – Marc-André Hamelin, p./ Les Violons du Roy/ Bernard Labadie – Hyperion](https://www.audaud.com/wp-content/uploads/2013/06/HaydnPianoConhyperion.jpg)
HAYDN: Piano Concertos No. 3 in F, No. 4 in G, No. 11 in D – Marc-André Hamelin, p./ Les Violons du Roy/ Bernard Labadie – Hyperion
Hamelin’s innate musicality and sense of style make these special performances indeed.
![HERMANN GOETZ: Piano Concerto in B flat major; JÓZEF WIENIASKI: Piano Concerto in g – Hamish Milne, p./ BBC Scottish Sym. Orch./ Michal Dworzynski – Hyperion MAX REGER: Piano Concerto in f; R. STRAUSS: Burleske in D minor – Marc-André Hamelin, p./ Radio Sym. Orch. Berlin/ Ilan Volkov – Hyperion](https://www.audaud.com/wp-content/uploads/2012/04/RomanticPConVol5253.jpg)
HERMANN GOETZ: Piano Concerto in B flat major; JÓZEF WIENIASKI: Piano Concerto in g – Hamish Milne, p./ BBC Scottish Sym. Orch./ Michal Dworzynski – Hyperion MAX REGER: Piano Concerto in f; R. STRAUSS: Burleske in D minor – Marc-André Hamelin, p./ Radio Sym. Orch. Berlin/ Ilan Volkov – Hyperion
Two more fine entries in the huge Romantic Piano Concerto series of CDs from Hyperion.