Marc-Andre Hamelin Archive

MEDTNER: Piano Concerto No. 2 in c; RACHMANINOV: Piano Con. No. 3 in d – Marc-Andre Hamelin, p./ London Philharmonic Orch./ Vladimir Jurowski – Hyperion

MEDTNER: Piano Concerto No. 2 in c; RACHMANINOV: Piano Con. No. 3 in d – Marc-Andre Hamelin, p./ London Philharmonic Orch./ Vladimir Jurowski – Hyperion

Hamelin exhibits colossal technique and vitality in two Russian concertos that lack the magic of a live concert. MEDTNER: Piano Concerto No. 2 in c, Op. 50; RACHMANINOV: Piano Concerto No. 3 in d, Op. 30 – Marc-Andre Hamelin, p./ London Philharmonic Orch./ Vladimir Jurowski – Hyperion CDA68145, 82:09 (3/31/17) [Distr. by HM/PIAS] ****: The music of Nikolai Medtner (1880-1951) seems to enjoy a kind of renaissance, especially as the more familiar keyboard works from the Russian repertory become tired. Often referred to as “the Russian Brahms,” Medtner (rec. 7 March 2016) scores his works into a classical structure rife with rhythmic propulsion and thick harmonic syntax, but almost always within a conservative, tonal parameter. The Second Piano Concerto (1920-27) bears a dedication to Serge Rachmaninov, and it arranges its three movements as a kind of bravura dance suite: Toccata: Allegro risoluto; Romanza: Andane con moto; and Divertimento: Allegro risoluto e molto vivace. The piano constitutes the main ingredient in the Second Concerto, and is virtually ever-active.  Only prior to a cadenza entry does the piano remain silent. The attraction of the first movement lies in a clearly Russian, militant character, offset by a folksy lyricism. Medtner seems to favor […]