Massenet Archive

SAINT-SAENS: Piano Concerto No. 2; RAVEL: Piano Concerto; GERSHWIN: Second Rhapsody; MASSENET: Meditation – Andrew von Oeyen, p./ Prague Philharmonia/ Emmanuel Villaume – Warner Classics

SAINT-SAENS: Piano Concerto No. 2; RAVEL: Piano Concerto; GERSHWIN: Second Rhapsody; MASSENET: Meditation – Andrew von Oeyen, p./ Prague Philharmonia/ Emmanuel Villaume – Warner Classics

Pianist Andrew von Oeyen embraces his twin cultural loyalties with brilliant elan. SAINT-SAENS: Piano Concerto No. 2 in g minor, Op. 22; RAVEL: Piano Concerto in G Major; GERSHWIN: Second Rhapsody; MASSENET: Meditation from Thais (trans. Oeyen) – Andrew von Oeyen, p./ Prague Philharmonia/ Emmanuel Villaume – Warner Classics 019029508485, 66:05 (1/13/17) ****: Pianist Andrew von Oeyen (b. 1979) considers himself a Parisian-American, so little wonder that his debut album for Warner Classics (rec. 21-25 August 2015) embraces compositions – rather flashy and jazzy in their own respect – from both musical cultures. That Oeyen finds a natural, virtuoso vehicle in the 1868 Concerto No. 2 by Saint-Saens comes as little surprise – Andre Watts did much the same in early days when I heard him at Lewisohn Stadium in New York.  Oeyen plays with requisite strength and optimism, dashing through the Bach prelude evolves into a lovely theme attributed to Gabriel Faure. The breadth of musical line and the plastic contours from the orchestra suggest that the several Artur Rubinstein renditions of the work served as models for the present reading. The second movement Allegro scherzando relies much on Saint-Saens’ great fondness for the fourth of the Chopin scherzos. […]