meo Archive

Schillings conducts = SCHUBERT: Symphony No. 8, “Unfinished”; SCHILLINGS: Mona Lisa: Prelude and Arrigo’s Serenade; BEETHOVEN: Symphony No. 3 in E-flat Major, “Eroica” – Berlin State Opera Orch./ Max von Schillings – Pristine Audio

Schillings conducts = SCHUBERT: Symphony No. 8, “Unfinished”; SCHILLINGS: Mona Lisa: Prelude and Arrigo’s Serenade; BEETHOVEN: Symphony No. 3 in E-flat Major, “Eroica” – Berlin State Opera Orch./ Max von Schillings – Pristine Audio

More from the historical legacy of an imperfect man but capable musician, Max von Schillings. Schillings conducts = SCHUBERT: Symphony No. 8 in b, D. 759 “Unfinished”; SCHILLINGS: Mona Lisa, Op. 15: Prelude and Arrigo’s Serenade; BEETHOVEN: Symphony No. 3 in E-flat Major, Op. 55 “Eroica” – Berlin State Opera Orch./ Max von Schillings – Pristine Audio PASC 474, 76:34 [avail. various formats from www.pristineeclassical.com] ****: It has been quipped of composer and conductor Max von Schillings (1868-1933) that “his untimely death saved him from gross infamy, relegating him instead to relative obscurity.” An ardent Nazi, Schillings had begun purging many Jewish musicians from posts associated with the Prussian Academy of Arts. He was featured in the film documentary Great Conductors of the Third Reich. As a teacher of both Frieder Weissmann, Robert Heger, and Wilhelm Furtwaengler, Schillings may have achieved his real immortality.  Procucer and recording engineer Mark Obert-Thorn, in collaboration with Andrew Rose and Richard Kaplan, provides us a substantial document of Schillings’ capacities as an interpretative artist. The Schubert Unfinished Symphony (30 November 1927) exhibits many fine qualities in the course of the reading: the responsive breadth of the musical line stands foremost among a litany of […]