minimalism Archive

JON GIBSON: Relative Calm – Jon Gibson, saxes and keyboards/Joseph Kubera, keyboards/David Van Tieghem, perc. – New World

JON GIBSON: Relative Calm – Jon Gibson, saxes and keyboards/Joseph Kubera, keyboards/David Van Tieghem, perc. – New World

A look back at one of the ‘founders’ of minimalism well worth your while! JON GIBSON: Relative Calm – Jon Gibson, saxes and keyboards/Joseph Kubera, keyboards/David Van Tieghem, percussion – New World 8783-2 [Distr. by Albany], 69:06, (11/04/16) ****: I first became aware of Jon Gibson some forty years ago while he was still a member of the Philip Glass Ensemble. My admiration for Jon at the time was solidly (but only) due to his appreciable saxophone skills. I learned of his skills as a composer who could very capably bend the edges of what was then the minimalism genre through his Two Pieces (minimal though they are, they do not ‘mirror’ Philip Glass and others) on vinyl LP which has recently been rereleased on CD. Relative Calm on CD is a major find. From the press materials, Gibson is “one of the less frequently mentioned pioneering composers of minimal music and is probably best known as a founding member of the Philip Glass Ensemble. Gibson also holds the unique distinction of having performed with Steve Reich, Terry Riley, and La Monte Young (as a member of the Theatre of Eternal Music). In addition to Glass, the four composers are […]

MICHAEL TORKE: Three Manhattan Bridges; Winter’s Tale for cello and orchestra – Joyce Yang, p./Julie Albers, cello/Albany Sym. Orch./David Alan Miller – Albany

MICHAEL TORKE: Three Manhattan Bridges; Winter’s Tale for cello and orchestra – Joyce Yang, p./Julie Albers, cello/Albany Sym. Orch./David Alan Miller – Albany

A wonderful look at this composer’s more recent style. MICHAEL TORKE: Three Manhattan Bridges; Winter’s Tale for cello and orchestra – Joyce Yang, p./Julie Albers, cello/Albany Sym. Orch./David Alan Miller – Albany TROY 1643, 57:24 (9/01/16) ****: I have appreciated Michael Torke’s music for many years now, going all the way to back to his idiomatic ‘color’ pieces (like Ecstatic Orange, et al) which were created in a sort of bouncy and ‘optimistic’ minimalism with shades of jazz. However, if that it is the only iteration of Michael’s music that one is familiar with then we are missing the growth of his very unique and captivating style. These two pieces are about as far from that much earlier ‘para-minimalist’ brand as one could get. Both Three Manhattan Bridges as well as Winter’s Tale are essentially concertos for piano and orchestra and cello and orchestra, respectively. Three Manhattan Bridges is structured in three movements that create almost a musical painting of the feel of three neighborhoods and moods landmarked by three of the most famous – and most often traversed – bridges that lead in and out of Manhattan; the George Washington Bridge, the Queensboro Bridge and the Brooklyn Bridge. This […]

“Filament” = Works of DESSNER, MUHLY, LUX & GLASS – eighth blackbird – Cedille vinyl & CD

“Filament” = Works of DESSNER, MUHLY, LUX & GLASS – eighth blackbird – Cedille vinyl & CD

Fear not minimalism or new music—hear this with joy and gratitude. “Filament” = BRYCE DESSNER: Murder Ballades; NICO MUHLY: Doublespeak; SON LUX: To Love; This is My Line; PHILIP GLASS: Two Pages – eighth blackbird – Cedille CDR60000 157, vinyl & CD, 49:10, (7/08/16) [Distr. by Naxos] ****: Chicago based Eighth Blackbird is absolutely one of the finest new music ensembles in the country. They are all superb musicians and their choice in repertory is excellent; something that, fortunately, has given them a stellar reputation with contemporary composers and this amazing rep list becomes self-supporting. This new collection is a perfect example and was recorded live at Museum of Contemporary Art, Chicago, in May of 2013. To me, the centerpiece of this set is the amazing Murder Ballades by the very talented guitarist (of the rock group “The National”) turned composer Bryce Dessner. This collection of seven captivating pieces is based on the very real and somewhat bizarre folk tradition of writing ballades and ditties that describe murders. The individual works are mostly based on actual folk melodies on this grisly topic; while “Dark Holler” is actually an original melody of Dessner’s in the same dark, folky but ominous style. This […]