motet Archive
TIMOTHY BAXTER: Vol. 1- Various short compositions – Soloists – Claudio Records (Blu-ray & DVD-A)
TIMOTHY BAXTER: Vol. 1- Various short compositions (TrackList follows) – Soloists: Ulrich Stærk, Anne Mette Stæhr, Galya Kolarova, Demetrios Karamintzas, Signe Asmussen, Anthony Ovenell, Paul Gregory – Claudio Records CC6025-2 Blu-ray (audio only) & DVD Audio (stereo) single disc TT: 65:48 (6/9/15) [Distr. by Naxos] ***1/2: A fine survey of Timothy Baxter’s instrumental music on an oddly-formatted disc. Timothy Baxter (b.1935) had his debut as a composer at 15 with a short motet O most merciful, which is still being sung. This early work showed all the hallmarks of his later compositional style and also the religious feelings so evident in his later choir music. He won first prize for a string quintet movement as a first-year student at the Royal Academy of Music, London, while studying with Priaulx Rainier. This success was followed by a number of other prizes and performances. He has written much church music: liturgical arrangements, pieces for choir, organ works and cantatas. Although born in the U.K, Baxter now lives in Denmark. This disc contains only instrumental music, but it is a nice representation of Baxter’s work. It has a British ‘feel’ to it, and while it is contemporary music, it could be many decades […]
Works of TALLIS – The Cardinall’s Musick/ Andrew Carwood – Hyperion
This wonderful series continues its exploration of the miraculous music of Thomas Tallis.
From the Imperial Court: Music for the House of Hapsburg [TrackList follows] – stile antico – Harmonia mundiAmorosi pensieri: Songs for the Habsburg Court – Cinquecento – Hyperion
Two new discs explore the phenomenon of music in the Hapsburg Empire, both different, and both wonderfully effective.
From the Imperial Court: Music for the House of Hapsburg [TrackList follows] – stile antico – Harmonia mundiAmorosi pensieri: Songs for the Habsburg Court – Cinquecento – Hyperion
Two new discs explore the phenomenon of music in the Hapsburg Empire, both different, and both wonderfully effective.
“Who are these Angels?” = Choral works of JAMES MACMILLAN – Capella Nova/Alan Tavener – Linn
Capella Nova’s MacMillan sequel.
VIVALDI: Concerto Madrigalesco; Laudate Pueri; Il Gran Mogul; Motet Nulla in mundo; Double Concerto in B-flat – Elin M. Thomas, sop./ Ashley Solomon, flute/ Bojan Cicic, violin/ Jennifer Morsches, cello/ Florilegium – Channel Classics
Florilegium again proves itself one of the foremost Baroque ensembles recording today.
PHILIPP SCHONDORFF: 5 choral works; PHILLIPPE DE MONTE: 3 choral works – Cinquecento – Hyperion
Two more composers from the Renaissance well worth their salt.
Works of PHILIPPE ROGIER & PALESTRINA – His Majesty’s Sagbutts and Cornetts/ Philip Cave – Linn
Another exceptionally worthy and virtually unknown Renaissance composer emerges from the dust heap of history—to wonderful effect.
SAMUEL SCHEIDT: Sacræ Cantiones – Vox Luminis/ Lionel Meunier, conductor – Ricercar
Superb music by a Lutheran liturgical master of his time.