Munich Archive
Cultural Death: Music under Tyranny = Works ov BEETHOVEN, BRAHMS, BERLIOZ – Munich Philharmonic & USSR Sym. – Arbiter
Arbiter celebrates three musical personalities who flourished, then perished within the autocratic bounds of fascism. Cultural Death: Music under Tyranny = BEETHOVEN: Leonore Overture No. 2; BRAHMS: Piano Concerto No. 2 in B-flat Major, Op. 83: Allegro non troppo; BERLIOZ: Symphonie fantastique, OP. 14a – Munich Philharmonic/ Oswald Kabasta (Beethoven)/ Alfred Hohn, p./ Leipzig Radio Orch./ Reinhold Merten (Brahms)/ USSR State Sym. Orch./ Oskar Fried (Berlioz) – Arbiter 162, 78:43 (10/16/15) [Distr. by Albany] ****: Extensive documentation complements this fascinating release, part of which – the Oskar Fried Berlioz inscription from 1937 – has had CD incarnation prior. Allan Evans has created a kind of musical liturgy for three artists who perished as a result of the rise of fascism in Germany and the USSR: Oswald Kabasta (1896-1946), Alfred Hoehn (1887-1945), and Oskar Fried (1871-1941). Each musician, in his own way, suffered under the regime of National Socialism; although in Kabasta’s case – unlike Herbert von Karajan – his opportunism led to a personal catastrophe rather than a case of political redemption. Oswald Kabasta, a protégé of Karl Muck, assumed authority with the Austrian Radio Orchestra, the Vienna Symphony, and the Munich Philharmonic. His power-base, once established, even permitted him […]
Rosl Schmid, piano = BEETHOVEN: Piano Concerto No. 2 in B-flat Major, Op. 19; WEBER: Konzertstueck in F Minor, Op. 79; R. STRAUSS: Burleske in D Minor – with various German orch. – MeloClassic
Long-forgotten Rosl Schmid emerges with blistering intensity in three staples from the grand German repertory.
Joseph Keilberth = MOZART: Symphony No. 33; Serenade in G Major, “Eine kleine Nachtmusik”; Serenade in D Major, “Serenata notturna”; HAYDN: Symphony No. 55; DVORAK: Scherzo capriccioso – Deutsches Philharmonisches Orch., Prague/ Joseph Keilberth – MeloClassic
Superbly restored readings from the Keilberth legacy, 1942-1945, guarantee a satisfying tour of the mainstream Austro-German tradition.
PETER GORDON: Symphony 5 – Foom Records
A true musical pioneer expands boundaries.
PAUL BEN-HAIM: Joram – Katharina Persicke, sop./ Carsten Suss, tenor/ Bernd Valentin, bar./ Miklos Sebestyen, bass/ Munich Motet Choir/ Israel Philharmonic Orch./ Hayko Siemens – Helicon Classics
An historical recording—Ben Haim’s last work before he left Germany, the one he felt was his greatest.
Audio News for May 20, 2014
AT&T Agreement to Purchase DirecTV; Astell & Kern Upgrade Their Hi-Res Audio Portables; Cambridge Audio at the Munich High-End Show
MOZART: Violin Concertos 3, 4 and 5 – Arabella Steinbacher, v./ Festival Strings of Lucerne/ Daniel Dodds – PENTATONE
A wonderful blend of superbly performed music and an exemplary recording.
Audio News for May 13, 2014
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“The Ottomans at the Gates of Vienna in 1683” = JOHANN KASPAR KERLL: Mass; Sonata; Ama cor meum; Triumphate sidera; Passacaglia; Tota pulchra es Maria; Canzona; Admiramini fidelis; Angelorum esca – Rosenmuller Ens./ Arno Paduch – Christophorus
An almost unknown composer who fits into history in interesting ways.
Audio News for January 4, 2013
David Manley Dies; New Book on Naxos Label; ECM’s CDs Know That Ears Have Eyes
BEETHOVEN: Piano Sonata No. 29 in B-flat Major, "Hammerklavier"; Piano Sonata No. 32 in C Minor – Dina Ugorskaja, p. – BR Klassik
We might suspect we hear the natural heir of Russian legend Tatiana Nikolayeva in Ms. Ugorskaja, whose powerful and poetic approach to Beethoven proves remarkably poignant.
Chick Corea & Friedrich Gulda – “The Meeting” (1982/2012)
We’ve waited 30 years for this video, and it’s well worth watching.
Bill CarrothersTrio: A Night At The Village Vanguard – Pirouet
The Bill Carrothers Trio reaches new heights.
R. STRAUSS: 17 Lieder; Brentano Lieder, Op. 68 – Diana Damrau, soprano/Munich Philharmonic /Christian Thielemann – Virgin Classics
In the tradition of Schwarzkopf and Elisabeth Schumann, soprano Damrau renders a diaphanous visionary recital of the Strauss orchestral songs.
Julia Fischer in St.-SAENS Violin Concerto & GRIEG Piano Concerto (2010)
Equally adept at the violin and piano, and this Decca video provides ample testimony to her prowess in both worlds.
WOLF-FERRARI: Intermezzo from “L’amore medico”; Ov. to “Secret of Susanna”; Prelude; Ritornello; Suite Veneziana; Trittico; Div. – Oviedo Filarmonica / Freidrich Haider – PhiArtis CACIOPPO: “Italia” = Impressioni Venexiane – Network for New Music – Navon
Two very different composers of two different eras reflect on the city of Venice, among other places.