Munich Archive

Cultural Death: Music under Tyranny = Works ov BEETHOVEN, BRAHMS, BERLIOZ – Munich Philharmonic & USSR Sym. – Arbiter

Cultural Death: Music under Tyranny = Works ov BEETHOVEN, BRAHMS, BERLIOZ – Munich Philharmonic & USSR Sym. – Arbiter

Arbiter celebrates three musical personalities who flourished, then perished within the autocratic bounds of fascism. Cultural Death: Music under Tyranny = BEETHOVEN: Leonore Overture No. 2; BRAHMS: Piano Concerto No. 2 in B-flat Major, Op. 83: Allegro non troppo; BERLIOZ: Symphonie fantastique, OP. 14a – Munich Philharmonic/ Oswald Kabasta (Beethoven)/ Alfred Hohn, p./ Leipzig Radio Orch./ Reinhold Merten (Brahms)/ USSR State Sym. Orch./ Oskar Fried (Berlioz) – Arbiter 162, 78:43 (10/16/15) [Distr. by Albany] ****:
 Extensive documentation complements this fascinating release, part of which – the Oskar Fried Berlioz inscription from 1937 – has had CD incarnation prior. Allan Evans has created a kind of musical liturgy for three artists who perished as a result of the rise of fascism in Germany and the USSR: Oswald Kabasta (1896-1946), Alfred Hoehn (1887-1945), and Oskar Fried (1871-1941). Each musician, in his own way, suffered under the regime of National Socialism; although in Kabasta’s case – unlike Herbert von Karajan – his opportunism led to a personal catastrophe rather than a case of political redemption. Oswald Kabasta, a protégé of Karl Muck, assumed authority with the Austrian Radio Orchestra, the Vienna Symphony, and the Munich Philharmonic. His power-base, once established, even permitted him […]

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