New York Philarharmonic Archive

Cantelli: New York Phil. Orch. = CRESTON: Dance Overture; SCHUMANN: Symphony No. 4; BEETHOVEN: Piano Concerto No. 4, No. 5; VIVALDI: Concerto Grosso; R. STRAUSS: Don Juan, Op. 20 – Wilhelm Backhaus (piano)/ Walter Gieseking (piano)/ New York Philharmonic/ Guido Cantelli – Pristine 

Cantelli: New York Phil. Orch. = CRESTON: Dance Overture; SCHUMANN: Symphony No. 4; BEETHOVEN: Piano Concerto No. 4, No. 5; VIVALDI: Concerto Grosso; R. STRAUSS: Don Juan, Op. 20 – Wilhelm Backhaus (piano)/ Walter Gieseking (piano)/ New York Philharmonic/ Guido Cantelli – Pristine 

Cantelli: New York Philharmonic Orchestra, Vol. 2 = CRESTON: Dance Overture; SCHUMANN: Symphony No. 4 in d minor, Op. 120; BEETHOVEN: Piano Concerto No. 4 in G Major, Op. 58; VIVALDI: Concerto Grosso in d minor, Op. 11, No. 3, RV 565; BEETHOVEN: Piano Concerto No. 5 in E-flat Major, Op. 73 “Emperor”; R. STRAUSS: Don Juan, Op. 20 – Wilhelm Backhaus, piano (Op. 58)/ Walter Gieseking, piano (Op. 73)/ New York Philharmonic/ Guido Cantelli- Pristine Audio PASC 510 (2 CDs) TT: 2:23:36 [www.pristineclassical.com] ****: Pristine’s Andrew Rose restores two Cantelli concerts in New York that exemplify his kinetic, ardent style. Guido Cantelli (1920-1956) appears before the Carnegie Hall audience in two successive New York concerts, 18 and 25 March 1956.  Cantelli complained bitterly about the lack of cooperation afforded him by “Murderers’ Row”—the Philharmonic players—but no less so than for their regular conductor, Dimitri Mitropoulos, they grudgingly gave much of their expert musicianship to the performances gleaned on this compilation restored by Andrew Rose.  Like Mitropoulos, Cantelli did not shy away from contemporary American scores, and his opening Dance Overture by Paul Creston, which includes some syncopated clapping by the players, has character and energy to spare. I recall […]

MAHLER: Das Lied von der Erde – Kathleen Ferrier, mezzo/ Set Svanholm, tenor/ NY Philharmonic/ Bruno Walter – Pristine Audio

MAHLER: Das Lied von der Erde – Kathleen Ferrier, mezzo/ Set Svanholm, tenor/ NY Philharmonic/ Bruno Walter – Pristine Audio

Andrew Rose revives Kathleen Ferrier’s American debut, in her first Bruno Walter-led “Symphony of Songs” by GUSTAV MAHLER. MAHLER: Das Lied von der Erde – Kathleen Ferrier, mezzo-soprano/ Set Svanholm, tenor/ New York Philharmonic/ Bruno Walter – Pristine Audio PACO 137, 58:20 (mono) [avail in var. formats from www.pristineclassical.com] ****: In this, Andrew Rose’s restoration of 18 January 1948 performance of Gustav Mahler’s Das Lied von der Erde at Carnegie Hall under Bruno Walter, the great Kathleen Ferrier (1912-1953) made her American debut. The tenor solo has Set Svanholm (1904-1964), the Swedish operatic talent who had assumed much of the repertory that was dominated by Lauritz Melchior. Recorded history now has four interpretations of this mighty score with Bruno Walter, who gave the world premiere 20 November 1911. The performance here at Carnegie Hall possesses a decisive urgency, occasionally making Svanholm enter ahead of the beat.  What we crave always and forever remain Ferrier’s vocal timbre and lyrical stamina, which appear to gain strength and fervor as this evening’s rendition evolves. The music well-combines the contradictions in Mahler’s character: his cosmopolitanism and complete orchestral mastery and security, even as the otherwise distant, detached nature of the poetry becomes emblazoned in […]