Nicolai Archive
Nikolai Sokoloff and the Cleveland Orchestra: Complete Recordings, 1924-28 – The Cleveland Orchestra. Nikolai Sokoloff – Pristine Audio
Recording and audio restoration engineer Mark Obert-Thorn has a coup in the form of the complete recordings (for the Brunswick label) of Russian-born conductor Nikolai Sokoloff (1886-1965), the first leader of the Cleveland Orchestra. Nikolai Sokoloff and the Cleveland Orchestra: Complete Recordings, 1924-28 = BORODIN: Polovtsian Dances from Prince Igor; BRAHMS: Hungarian Dance No. 5 in g minor; Symphony No. 2: Allegretto; DELIBES: Coppelia: Entr’acte and Valse; DVORAK: Slavonic Dance in D, Op. 46, No. 3; GRAINGER: Shepherd’s Hey; HALVORSEN: Entry March of the Boyars; NICOLAI: The Merry Wives of Windsor – Overture; PIERNE: Cydalise et le Chevre-Pied: Entrance of the Little Fauns; RACHMANINOV: Symphony No. 2 in e minor, Op. 27; Prelude in c-sharp minor; RIMSKY-KORSAKOV: Song of India; SAINT-SAENS: Danse Macabre, Op. 40; SCHUBERT: Symphony No. 8 in b minor, D. 759 “Unfinished”; SCHUMANN: Trauemerei, Op. 15, No. 7; SIBELIUS: Valse Triste, Op. 44; Finlandia, Op. 26; J. STRAUSS: On the Beautiful Blue Danube; Tales from the Vienna Woods; TCHAIKOVSKY: 1812 Overture, Op. 49; Sleeping Beauty – Waltz, Op. 66; WAGNER: Lohengrin: Prelude to Act 3; Bridal Chorus – The Cleveland Orchestra. Nikolai Sokoloff – Pristine Audio PASC 524 (3 CDs) TT: 3 hrs 20 secs [www.pristineclassical.com] ****: […]
Great Comedy Overtures of HEROLD, NICOLAI, WOLF-FERRARI, THOMAS, REZNICEK & Others – Royal Scottish National Orch./Lance Friedel – Naxos
A sweetly affectionate collection of light opera overtures showcases a young American conductor and his responsive RSNO players.
“Gala from Berlin – Grand Finales”, Blu-ray (1999/2014)
A New Year’s celebration focusing on finales, entertaining but significant especially because of the 2000 Millennium celebration.
NICOLAI: Mass No. 1 in D; Liturgie No. 2; Psalm 13; Pater noster; Ecce enim Deus; Psalm 84 – Carus
A nice change of pace and a different take on a composer we really don’t know that well.