Resonance Archive

The Three Sounds – Groovin’ Hard – Live at the Penthouse, 1964-1968 – Resonance

The Three Sounds – Groovin’ Hard – Live at the Penthouse, 1964-1968 – Resonance

It’s all good… The Three Sounds – Groovin’ Hard – Live at the Penthouse, 1964-1968 – Resonance, 51:30 (1/13/17) ****: (Gene Harris – piano/ Andy Simpkins – bass/ Bill Dowdy, Kalil Madi, or Carl Burnett – drums) It may come as a surprise to hardcore Blue Note Records fans that the Three Sounds were the best selling artists from the venerable label during the 1958-1962 period that they recorded for Blue Note. Their bluesy soul jazz piano trio recordings were addictive to the public. They recorded seventeen sessions for Blue Note at Rudy Van Gelder’s studio, and backed both Stanley Turrentine and Lou Donaldson, two soul jazz legends. Their music was mainstream jazz with strong blues and gospel influences. It was the blues piano voicings of leader Gene Harris that made the Three Sounds special. Resonance Records has again stepped up in their efforts of issuing significant previously unknown live jazz from well recorded sources. The Penthouse club in Seattle opened in 1962 and was active for seven years. Jim Wilke, a local jazz expert from KING-FM recorded many live Penthouse shows and has assisted Resonance Records honchos, George Klabin and Zev Feldman by providing the tapes from the Three […]

Alyssa Allgood, vocals – Out Of The Blue – Jerujazz

Alyssa Allgood, vocals – Out Of The Blue – Jerujazz

Alyssa Allgood, vocals – Out Of The Blue – Jerujazz JJR-5, 49:41 ***: A credible first outing. (Alyssa Allgood – voice; Dan Chase – organ; Tim Fitzgerald – guitar; Chris Madsen – saxophone; Matt Plaskota – drums) Alyssa Allgood is part of that cohort of up and coming young singers who are looking to make an impact in the jazz world. Not an easy thing to do given the nature of the business, and the changing pattern of the distribution channels for the end product. Out Of The Blue is Allgood’s attempt to capture lightning in a bottle, by earmarking her session to the hard-bop repertoire as defined by Blue Note Records. Backed by a jim-dandy quartet, anchored by B-3 organist Dan Chase, the set list covers some of bops’ signature compositions. Allgood has added lyrics to several of these numbers, starting with Hank Mobley’s Dig Dis which he released on Soul Station and which she calls “Watch Me Walk Away”. From Chase’s opening organ rif, Allgood finds a way to convey the number’s essence, with lyrics that are tricky to align to the bop frame. The other compositions that now have Allgood’s lyrics are Wayne Shorter’s “Speak No Evil”, […]

Larry Young – In Paris: The ORTF Recordings – Resonance (2 CDs; also on vinyl)

Larry Young – In Paris: The ORTF Recordings – Resonance (2 CDs; also on vinyl)

A major jazz “find”… Larry Young – In Paris: The ORTF Recordings – Resonance/ INA HCD-2022 (2 CDs) 52:54, 53:06 (1964-1965) ****1/2: (Larry Young – organ and piano; Woody Shaw – trumpet; Nathan Davis – tenor sax; Billy Brooks drums; Jean-Claude Fohrenbach – tenor sax; Sonny Grey – trumpet; Jack Dieval – piano; Jacques B. Hess – bass; Franco Manzecchi – drums; Jacky Bamboo – conga) It’s about time that consideration is given to Zev Feldman at Resonance Records, for the honorary award of “jazz archaeologist.” In the last few years Feldman has released several “unearthed” previously-unissued recordings from Wes Montgomery, Bill Evans, Stan Getz, and Charles Lloyd. Add to that the just-released initial recordings of the Thad Jones/Mel Lewis Jazz Orchestra. The latest treasure from Resonance is the French National Radio recordings of organist Larry Young with a band that includes trumpeter Woody Shaw. The pairing of these two incendiary figures is a match made in heaven, comparable to a 1960s classic Blue Note session. Both Young and Shaw pushed “the envelope” going outside traditional hard bop/ soul jazz influences. Larry achieved this with Miles Davis, and John McLaughlin with Tony Williams, while Woody’s edgy firebrand persona embraced John […]

Thad Jones/Mel Lewis Orchestra – All My Yesterdays – Resonance (2 CDs)

Thad Jones/Mel Lewis Orchestra – All My Yesterdays – Resonance (2 CDs)

Celebrating fifty years, and counting, of powerful Monday night big band jazz at the Village Vanguard… Thad Jones/Mel Lewis Orchestra – All My Yesterdays – Resonance HCD 2023 – 2 CDs, 48:47, 77:11 (1966) ****1/2: (CD 1- 2/7/66: Thad Jones- trumpet, Flugelhorn, arranger & conductor; Hank Jones- piano; Sam Herman – guitar, percussion; Richard Davis – bass; Mel Lewis – drums; Jerome Richardson – alto sax, clarinet, flute; Jerry Dodgion – alto sax, clarinet, flute; Joe Farrell – tenor sax, flute, clarinet; Eddie Daniels – tenor sax, clarinet; Marv “Doc” Holladay – baritone sax; Jimmy Nottingham, Snooky Young, Jimmy Owens, Bill Berry – trumpets; Bob Brookmeyer, Garnett Brown, Cliff Heather, Jack Rains – trombones) (CD 2- 3/21/66: Thad Jones – trumpet, Flugelhorn, arranger & conductor; Hank Jones – piano; Sam Herman – guitar; Richard Davis – bass; Mel Lewis – drums; Jerome Richardson – alto sax, clarinet, flute; Jerry Dodgion – alto sax, clarinet, flute; Joe Farrell – tenor sax, clarinet, flute; Pepper Adams – baritone sax; Jimmy Nottingham, Bill Berry, Jimmy Owens, Danny Stiles – trumpets; Jack Rains, Garnett Brown, Cliff Heather, Tom McIntosh – trombones) For jazz fans who can afford to live in New York City, the […]

Stan Getz & Joao Gilberto  – Getz/Gilberto ’76 – Resonance / Stan Getz – Moments in Time – Resonance

Stan Getz & Joao Gilberto – Getz/Gilberto ’76 – Resonance / Stan Getz – Moments in Time – Resonance

Two more archival historical releases from Resonance Records- Getz/Gilberto ’76 & Moments in Time… Stan Getz & Joao Gilberto  – Getz/Gilberto ’76 – Resonance HCD 2021, 55:15 ****: (Stan Getz – tenor sax; Joao Gilberto – vocals, guitar; Joanne Brackeen – piano; Clint Houston – bass; Billy Hart – drums) Stan Getz – Moments in Time – Resonance HCD 2020, 64:41 ****1/2: (Stan Getz – tenor sax; Joanne Brackeen – piano; Clint Houston – bass; Billy Hart – drums) In early 1962 Stan Getz helped bring bossa nova to mainstream American audiences with the Jazz Samba recording with guitarist Charlie Byrd. In March 1964, he furthered the bossa nova craze by bringing famed Brazilian guitarist Joao Gilberto and pianist/composer Antonio Carlos Jobim to New York City to record Getz/Gilberto. It became one of the best selling jazz albums of all time and featured “The Girl from Ipanema” sung by Joao’s wife, Astrud Gilberto. Its intoxicating sensual groove proved irresistible to American audiences. Getz soon returned to straight-ahead jazz as well as fusion, and recorded with Gary Burton, Chick Corea, and Bill Evans.  In May 1975, Stan reunited with Gilberto to record The Best of Two Worlds. It was released in […]

Audio News for May 26, 2015

Science Proves the ‘80s Produced the Most Homogenous Pop Music; Samsung Has a First by Including Surround Sound for Headphones in TVs; Classical News; Next Month Yamaha Launches Their Most Expensive Subwoofer