Respighi Archive

RESPIGHI: Roman Trilogy – Texas Music Festival Orch./ Franz Anton Krager – HDTT

RESPIGHI: Roman Trilogy – Texas Music Festival Orch./ Franz Anton Krager – HDTT

RESPIGHI: Roman Trilogy – Roman Festivals; The Fountains of Rome; The Pines of Rome / Texas Music Festival Orch./ Franz Anton Krager – 5.0, 24 bit/192k high-res digital with a 2.0 version – DTS-HD MA recorded live in public concert 11 June 2016 in the Moores Opera House, University of Houston by John G. Proffitt – HDTT ***1/2: A fine performance of these familiar works with a stunning surround audiophile production. It’s always nice to get a new recording of these three orchestral showpieces, and getting a fine surround recording is a real plus. This Blu-ray audio disc from the folks at High Definition Tape Transfers is a new recording, from June of 2016. HDTT has made its reputation with remastering of older recordings on prerecorded tape (and lately off actual older vinyls), but they seem to be moving toward adding brand new recordings, and that is to be applauded. The Texas Music Festival Orchestra is in fact a youth orchestra, but don’t let that put you off. They do the Respighi proud. It’s hard to believe this is a non-professional group. And the Respighi can trip up any professional player, especially in some of the horn solos, which are […]

RESPIGHI: Sinfonia Drammatica; Belfagor Ov. ‒ Orch. Philharmonique Royal de Liège / John Neschling ‒ BIS

RESPIGHI: Sinfonia Drammatica; Belfagor Ov. ‒ Orch. Philharmonique Royal de Liège / John Neschling ‒ BIS

RESPIGHI: Sinfonia Drammatica; Belfagor Ov. ‒ Orch. Philharmonique Royal de Liège / John Neschling ‒ BIS multichannel SACD BIS-2210; 70:03 (7/8/16) ****: Respighi off the beaten track. Stimulating and enjoyable. Jean-Pascal Vachon’s useful notes to this recording lay out the complex history of Ottorino Respighi’s musical education by way of explaining why this great big Sinfonia Drammatica sounds so unlike what we’ve come to think of as Respighi’s musical language. It’s easy to hear the influence of Respighi’s teacher Rimsky-Korsakov in his highly colorful and effective orchestration. In the numerous pieces based on medieval and Renaissance music (Ancient Airs and Dances, Concerto Gregoriano. Concerto in modo misolidio, The Birds, Church Windows, Metamorphosen), Respighi pays tribute to his teacher Luigi Torchi, a musicologist and expert on ancient music. In the Roman Trilogy, Respighi’s best-known works, we note that as his musical language matured, the composer took his lead increasingly from France and specifically Claude Debussy. However, the composer also studied with Giuseppe Martucci—whose music reflects the influence of his musical heroes, Schumann and Brahms—and with the echt German Romantic Max Bruch. Martucci happened also to be one of the first champions of Wagner in Italy. Small wonder, then, that early in […]

“On With the Dance” = J. STRAUSS II: Artist’s Life Waltz, Op. 316; Wine, Women, and Song, Op. 333; CHOPIN (arr. Sargent): Les Sylphides; ROSSINI (arr. Respighi and Sargent): La Boutique Fantasque – Concert Suite; William Tell: Ballet Music: Passo a tre e Coro Tirolese; SCHUBERT: Rosamunde – Ballet Music No. 2 in G Major – Royal Philharmonic Orch./ Royal Opera House Orch., Covent Garden/ Sir Malcolm Sargent – Guild

“On With the Dance” = J. STRAUSS II: Artist’s Life Waltz, Op. 316; Wine, Women, and Song, Op. 333; CHOPIN (arr. Sargent): Les Sylphides; ROSSINI (arr. Respighi and Sargent): La Boutique Fantasque – Concert Suite; William Tell: Ballet Music: Passo a tre e Coro Tirolese; SCHUBERT: Rosamunde – Ballet Music No. 2 in G Major – Royal Philharmonic Orch./ Royal Opera House Orch., Covent Garden/ Sir Malcolm Sargent – Guild

A program of gracious light music, mostly from the ballet and the world of dance, led by Sir Malcolm Sargent.