revolutionary Archive
Jascha Spivakovsky: Bach to Bloch, Vol. IV = Works for Solo Piano by BACH; BEETHOVEN; CHOPIN; SCHUMANN – Jascha Spivakovsky, piano – Pristine Audio
The fourth installment of the Spivakovky Edition revels in the Romantic ethos of composer and performer. Jascha Spivakovsky: Bach to Bloch, Vol. IV = BACH: Fantasia in c minor, BWV 906; BEETHOVEN: Piano Sonata No. 31 in A-flat Major, Op. 110; CHOPIN: Impromptu No. 1 in A-flat Major, Op. 29; Etude in c minor, Op. 10, No. 12 “Revolutionary”; Etude in f minor, Op. 25, No. 2; Etude in G-flat Major, Op. 25, No. 9 “Butterfly”; Bolero in C Major/a minor, Op. 19; SCHUMANN: Carnaval, Op. 9 – Jascha Spivakovsky, piano – Pristine Audio PAKM073, 71:30 [www.pristineclassical.com] *****: The latest installment of the Jascha Spivakovksy (1896-1970) legacy derives from a series of recordings that span approximately eighteen years, 1948-1966, derived from radio appearances and home recitals. Many of us who audition these rare and recently-revived performances marvel at the musical acuity and innate, Romantic sensibility of this magnificent artist, who never enjoyed the prestige of a commercial recording contract. Each interpretation bears Spivakovsky’s idiosyncratic temper and musical line, his astute rhythmic pulse and sense of the dramatic space between notes. Nothing that we hear bears the sense of routine or mediocrity of thought. We seem to become eaves-droppers on a […]
GYÖRGY LIGETI: Sonata for solo viola; Lux aeterna; Three Fantasies after Friedrich Hölderlin; ROBERT HEPPENER: Im Gestein – Susanne van Els, viola/Capella Amsterdam/musikFabrik/ Daniel Reuss – HM/Gold
A very eclectic but interesting collection of modern works. GYÖRGY LIGETI: Sonata for solo viola; Lux aeterna; Three Fantasies after Friedrich Hölderlin; ROBERT HEPPENER: Im Gestein – Susanne van Els, viola/Capella Amsterdam/musikFabrik/Daniel Reuss – Harmonia mundi Gold HMG 501985, 64:31, (8/19/16) [Distr. by PIAS] ***1/2: Hungarian “modernist” composer György Ligeti was one of the more prominent voices of the post-war avant-garde movement in eastern Europe. He was never a proponent of serialism and developed a style that was bold and unsettling, yet never very comfortably fit with any of the trends that academic Europe was so adherent to. So, he found himself needing to emigrate to Germany in 1966 and spent the rest of his life trying to forge a reputation for himself. To this day, Ligeti is known mostly for a few key and revolutionary works; such as Atmospheres, Requiem and the present Lux aeterna. (All three of which were used to great effect by filmmaker Stanley Kubrick in his revolutionary 2001: A Space Odyssey.) Lux aeterna has always been one of my favorite of Ligeti’s works and, together with the Requiem, created whole new approaches to choral writing. It is simultaneously a beautiful yet very creepy work that […]
THEODORAKIS: Canto General – Orquesta de Nuestra Tierra/ Leopold Griessler/ Sybille von Both (chorus master)/ Sergio Cattaneo (bar.)/ Julia Schilinski (alto) – Gramola
Good to see a new release of this classic, but there are better versions out there.
PROKOFIEV: Cantata; SHOSTAKOVICH: The Sun Shines over our Motherland – RSFSR Russian Chorus/Boys Choir/Moscow Philharmonic/Kirill Kondrashin – Melodiya/HDTT
HDTT resurrects two Stalinist political hymns from Prokofiev and Shostakovich; more musical curios than testaments of faith in a dubious regime.
SHOSTAKOVICH: Symphony No. 3 “The First of May”; Sym. No. 10 – The Orch. & Ch. of Mariinsky Theatre / Valery Gergiev – Mariinsky PROKOFIEV: Sym. No. 1; Sym. No. 5 – Sydney Sym./ Vladimir Ashkenazy – Exton
A winning Shostakovich disc from Gergiev and the Mariinsky; but we’re still waiting for a first-rate Prokofiev Fifth in hi-res.