Rossini Archive

Editorial for September 2016

Editorial for September 2016

Our free drawing for September is the same as last month: another five complete Rossini operas on Blu-ray from Opus Arte: The Italian in Algiers, Il Signor Bruschino, The Silken Ladder, Moses in Egypt and Cyrus in Babylon. (Turns out we have two copies to award readers.) Claudio Scimone and Ewa Poldes are among the performers. The Italian in Algiers is considered one of the funniest operas ever written. Here is a link to the Amazon site  where the box set is offered. All you need to do is click on the Register To Win banner on the Home Page and fill out our simple form. The winner we selected for the first of the two Blu-rays of all five Rossini Operas – our drawing for last month and this month – is: Terry Qualman of Sand Springs, OK. Congrats! This month we’ll award another Blu-ray to a reader. EDITORIAL AUDIOPHILE AUDITION began as a local program in San Francisco and then in 1985 as a weekly national radio series hosted by John Sunier, and aired for 13½ years on up to 200 public radio and commercial stations. In September 1998 its web site for program listings was expanded to this […]

ROSSINI: Semiramide (complete opera) – Soloists/Vienna Concert Choir & Radio SO/ Panni – Nightingale Classics (3 CDs)

ROSSINI: Semiramide (complete opera) – Soloists/Vienna Concert Choir & Radio SO/ Panni – Nightingale Classics (3 CDs)

Gruberova is well worth hearing, even if the whole does not equal the sum of its parts. ROSSINI: Semiramide (complete opera) – Edita Gruberova (Semiramide)/ Bernadette Manca Di Nissa (Arsace)/ Helene Le Corre (Azema)/ Ildebrando D’Arcangelo (Assur)/ Juan Diego Florez (Idreno)/ Julian Konstantinov (Oroe)/ Vienna Concert Choir/ Vienna Radio SO/ Marcello Panni – Nightingale Classics NC207013 (3 CDs), 68:46, 64:43, 73:54 ***1/2: Though Semiramide, based on Voltaire’s tragedy Semiramis, was to be Rossini’s last Italian opera, in fact it represents a return to much of the vocal enthusiasms found in the operas of his youth. After this work he bolted from Italy to Paris, and never really was able to duplicate the greatness of this piece, adorned with scenery in true Baroque style, full choruses and expansive orchestral writing for an equally expansive orchestra. It has always maintained its popularity as one of the best operas in the repertory, and there have been many fine recordings, old and new. This one, a 1998 recording, is fine in many ways. I am especially partial to the Idreno of Juan Diego Florez, who was really singing well—and especially Rossini—at that time, and his artistry found its way onto other Rossini issues too. […]

“On With the Dance” = J. STRAUSS II: Artist’s Life Waltz, Op. 316; Wine, Women, and Song, Op. 333; CHOPIN (arr. Sargent): Les Sylphides; ROSSINI (arr. Respighi and Sargent): La Boutique Fantasque – Concert Suite; William Tell: Ballet Music: Passo a tre e Coro Tirolese; SCHUBERT: Rosamunde – Ballet Music No. 2 in G Major – Royal Philharmonic Orch./ Royal Opera House Orch., Covent Garden/ Sir Malcolm Sargent – Guild

“On With the Dance” = J. STRAUSS II: Artist’s Life Waltz, Op. 316; Wine, Women, and Song, Op. 333; CHOPIN (arr. Sargent): Les Sylphides; ROSSINI (arr. Respighi and Sargent): La Boutique Fantasque – Concert Suite; William Tell: Ballet Music: Passo a tre e Coro Tirolese; SCHUBERT: Rosamunde – Ballet Music No. 2 in G Major – Royal Philharmonic Orch./ Royal Opera House Orch., Covent Garden/ Sir Malcolm Sargent – Guild

A program of gracious light music, mostly from the ballet and the world of dance, led by Sir Malcolm Sargent.

“L’Harmonium de LEMMENS et de GUILMANT” = GUILMANT: 9 short works; Fourth Sonata Op. 61; LEMMENS: Invocation; Nocturne; Berceuse; Reverie; Walpurgis Night – Joris Verdin, Mustel harmoniums – Gallo“L’Harmonium Francais” – BIZET: 3 pieces; BERLIOZ: Serenade agreste a la Madone; ROSSINI: Prelude religieux; LEFEBURE-WELY: Six Versets in Major and Minor; BOELLMANN: Three Offertories; GUILMANT: Scherzo; Prayer & berceuse; MOUQUET: Suite Symphonique in A-flat Major; MUSTEL: Scenes et Airs de Ballets – Jordis Verdin, Debain & Mustel harmoniums – Ricercar

“L’Harmonium de LEMMENS et de GUILMANT” = GUILMANT: 9 short works; Fourth Sonata Op. 61; LEMMENS: Invocation; Nocturne; Berceuse; Reverie; Walpurgis Night – Joris Verdin, Mustel harmoniums – Gallo“L’Harmonium Francais” – BIZET: 3 pieces; BERLIOZ: Serenade agreste a la Madone; ROSSINI: Prelude religieux; LEFEBURE-WELY: Six Versets in Major and Minor; BOELLMANN: Three Offertories; GUILMANT: Scherzo; Prayer & berceuse; MOUQUET: Suite Symphonique in A-flat Major; MUSTEL: Scenes et Airs de Ballets – Jordis Verdin, Debain & Mustel harmoniums – Ricercar

A now-unusual instrument which was extremely popular in the late 19th and early 20th centuries.

Gino Marinuzzi = ROSSINI: Il Barbiere di Siviglia Overture; La Gazza ladra Overture; L’Assedio di Corinto Overture; BELLINI: Norma Overture; VERDI: I Vespri sciliani Overture; PUCCINI: Manon Lescaut: Intermezzo, Act 3; MASCAGNI: Cavalleria rusticana: Intermezzo; Le Maschere Overture; GIORDANO: Siberia – La Pasqua; PIZZETTI: Fedra; WOLF-FERRARI: Il Campiello: Ritornello Act 3; MARINUZZI: Musiche per I trionfi Sforza & Savoia – Rito Nuziale – Orch. del Teatro alla Scala, Milano/ Gino Marinuzzi – Preiser Records

Gino Marinuzzi = ROSSINI: Il Barbiere di Siviglia Overture; La Gazza ladra Overture; L’Assedio di Corinto Overture; BELLINI: Norma Overture; VERDI: I Vespri sciliani Overture; PUCCINI: Manon Lescaut: Intermezzo, Act 3; MASCAGNI: Cavalleria rusticana: Intermezzo; Le Maschere Overture; GIORDANO: Siberia – La Pasqua; PIZZETTI: Fedra; WOLF-FERRARI: Il Campiello: Ritornello Act 3; MARINUZZI: Musiche per I trionfi Sforza & Savoia – Rito Nuziale – Orch. del Teatro alla Scala, Milano/ Gino Marinuzzi – Preiser Records

A conductor-composer of potent abilities, Gino Marinuzzi traverses a series of opera overtures and excerpts that demands a second look at an under-rated talent.

Silke Avenhaus – “Salon Chromatique et Harmonique” = WAGNER: Sonata in A-flat Major for Madame M.W. ; Isoldens Liebestod (arr. Liszt); LISZT: Seven brilliant Variations on a Theme by Rossini; Soirees de Vienne – Caprices After Franz Schubert: Nostalgic Waltz; Li Marinari from Soirees musicales de Rossini; R.W. – Venezia; La lugubre Goldola No. 1; Apres une lecture du Dante: Fantasia quasi Sonata; ROSSINI: Une caresse a ma femme; Valse lugubre No. 4 – Silke Avenhaus, piano – BR Klassik

Silke Avenhaus – “Salon Chromatique et Harmonique” = WAGNER: Sonata in A-flat Major for Madame M.W. ; Isoldens Liebestod (arr. Liszt); LISZT: Seven brilliant Variations on a Theme by Rossini; Soirees de Vienne – Caprices After Franz Schubert: Nostalgic Waltz; Li Marinari from Soirees musicales de Rossini; R.W. – Venezia; La lugubre Goldola No. 1; Apres une lecture du Dante: Fantasia quasi Sonata; ROSSINI: Une caresse a ma femme; Valse lugubre No. 4 – Silke Avenhaus, piano – BR Klassik

A musical soiree of poignancy and power, embracing Rossini, Liszt, and Wagner in their respective keyboard personae.