Rubinstein Archive
BALAKIREV: Piano Sonata in b-flat minor; Reverie; Mazurka No. 6 in A-flat Major; Islamey; LISZT: Sonata in b; LYAPUNOV: Etude 1 “Berceuse” 12 Etudes d’execution transcendente – Louis Kentner, p. – Appian Recordings
APR resissues the Columbia shellacs of Louis Kentner, 1944-45, in Liszt, Balakirev, and Lyapunov. BALAKIREV: Piano Sonata in b-flat minor, Op. 5; Reverie; Mazurka No. 6 in A-flat Major; Islamey; LISZT: Sonata in b; LYAPUNOV: Etude 1 “Berceuse;” 12 Etudes d’execution transcendente, Op. 11 – Louis Kentner, p. – Appian Recordings APR 6020 (2 CDs) 70:41, 72:19 (9/2/16) [Distr. by Naxos] ****: Executive producer Michael Spring, along with audio engineer Andrew Hallifax, deserves credit for this APR reissue of rare performances. Hungarian piano virtuoso Louis (Lajos) Kentner (1905-1987), whose records of Balakirev, Liszt, and Lyapunov from 1939-1949 come back to us in sterling remasterings. The Balakirev Piano Sonata (1900-1905), here in its first recording (2 June 1949), proffers a hybrid work of unorthodox construction, rife with exotic colors and folk motifs, a novel fusion of Chopin and Eastern doxology. Despite the often improvisatory gestures and sudden shifts of tempo and mood, Balakirev injects strong periods of strict counterpoint, as well as knotty figurations more than reminiscent of his most popular piece, Islamey. The music contains a plethora of warm, tender gestures, many of which lie high in the piano keyboard and remind us of Chopin’s Berceuse. The more explosive passages, […]
Kaleidoscope = MUSSORGSKY: Pictures at an Exhibition; RAVEL: La Valse; STRAVINSKY: Three Movements from Petrushka – Khatia Buniatishvili, p. – Sony
A personal recital devoted to the art of keyboard coloration marks this Buniatishvili program from 2015. Kaleidoscope = MUSSORGSKY: Pictures at an Exhibition; RAVEL: La Valse; STRAVINSKY: Three Movements from Petrushka – Khatia Buniatishvili, p. – Sony 88875170032, 57:00 (3/11/16) ****: If slinky dresses and a Hedy Lamarr persona guarantee a virtuoso piano keyboardist, Khatia Buniatishvili has it made. Certainly, she possesses the fingers for this particular program (rec. 23-26 August 2015), which she chooses to approach from a personal, salon perspective. The Mussorgsky’s opening Promenade announces her introspective intentions, to explore the Hartmann visual panorama in musical terms that define Mussorgsky’s love for his departed friend. Rubato and graduated pedaling define the opening Promenade, while the succeeding grotesquerie, Gnomus, receives a fiercely percussive patina. The Old Castle intones its ancient bells slowly in the left hand, and for some, in too funereal a spirit, one close to Ravel’s hanged figure in Le Gibet. Disputatious children pick up the tempo in the Tuileries, Buniatishvili’s brisk articulation decidedly less mannered. The ox-cart Bydlo marches in, its plodding tempo one step away from having become the Dies Irae, since for Buniatishvili, a way of life passes away forever. The chicks from “Trilby” […]
Legendary Artist Michael Ponti, piano = Concertos of RUBINSTEIN, ALKAN, & THALBERG – Doron
The gifted Michael Ponti appears in three historical performances of rare and highly charged Romantic fireworks.
Guiomar Novaes: The Complete Published 78-rpm Recordings, 1919-1927; 1940-1947 [TrackList follows] – APR (2 CDs)
The collection of 78 rpm recordings by Guiomar Novaes stands as her finest display of an extraordinary gift to music.
A. RUBINSTEIN: Piano Concerto No. 2; Suite in E-flat Major – Grigorios Zamparas, p./ Bohuslav Martinu Philharmonic Orch./ Jon Ceander Mitchell – Centaur
From Anton Rubinstein, two large scores, including an ambitious concerto and a “symphonic,” large suite.
ARENSKY: Piano Trio No. 1 in D Minor; Piano Trio No. 2 in F Minor; RACHMANINOV: Vocalise (arr. Conus) – Leonore Piano Trio – Hyperion
Russian Romanticism is well served in this assemblage of Arensky trios and the perennial Vocalise of Rachmaninov.
TCHAIKOVSKY: Piano Concertos Nos. 1 & 2 – Denis Matsuev, p./ Mariinsky Orch./ Valery Gergiev – Mariinsky
Matsuev has the measure of this music, though a few places the interpretative choices don’t really work.
Grand Romance = MOSZKOWSKI: Caprice espagnol; Etincelles; La Jongleuse; SCHUETT: A la bien-aimee; Canzonetta in D Major; HENSELT: If I were a bird; Petite Valse in F Major; PADEREWSKI: Nocturne in B-flat Major; CUI: Causerie; BORTKIEWICZ: Lyrica Nova; SCHLOEZER: Etude in E-flat Major; LEVITZKI: Valse in A Major; SGAMBATI: Gavotta in A-flat Minor; RUBINSTEIN: Reve Angelique; SCHULZ-EVLER: Arabesques on “The Blue Danube”; CHASINS: Rush Hour in Hong Kong – Jeffrey Biegel, p. – Steinway & Sons
With 16 selections of virtuoso showpieces, Jeffrey Biegel and his Steinway D provide more than an hour’s worth of elegant, even dazzling, salon vehicles from the Romantic sensibility.
RUBINSTEIN: Caprice Russe; Piano Concerto No. 5; Overture to Der Thurm zu Babel – Grigorios Zamparas, piano/ Bohuslav Mintinu Philharmonic Orch./ Jon Ceander Mitchell – Centaur
A program of large, even meandering, concerted works by Anton Rubinstein, which serve to demonstrate the fleet and versatile talents of its virtuoso soloist.
ANTON RUBINSTEIN: Symphony No. 2, “Ocean”; Ballet Music from the Opera “Feramors” – State Sym. Orch. of Russia/ Igor Golovchin – Delos
This recording is an excellent way to get acquainted with the composer’s conservative but appealing music.
Daniel Barenboim plays CHOPIN – The Warsaw Recital – DGG
“Mellow” well describes Barenboim’s approach even to Chopin’s most daunting keyboard works.
RACHMANINOFF: Piano Concerto No. 2 in C Minor; LISZT: Piano Concerto No. 1 in E-flat – Arthur Rubinstein, piano/Chicago Symphony Orchestra/Fritz Reiner (Rach.); RCA Victor Symphony/Alfred Wallenstein (Liszt) – JVC xrcd
1956 Living Stereo originals now in XRCD