Social Realism Archive

PROKOFIEV: Sinfonia Concertante in E Minor; Cello Son. in C – Zuill Bailey, c./ North Carolina Sym. Orch. / Grant Llewelly/ Natasha Paremski, p. – Steinway & Sons

by Audiophile Audition | Jul 23, 2016 | Classical CD Reviews

PROKOFIEV: Sinfonia Concertante in E Minor, Op. 125; Cello Sonata in C Major, Op. 119 – Zuill Bailey, c./ North Carolina Sym. Orch./ Grant Llewelly/ Natasha Paremski, p. –  Steinway & Sons 30057, 61:56 (5/13/16) ****: Tough-minded Prokofiev in the tradition of Rostropovich—and with the same sensitivity to the gentler side of this great Russian composer. Toward the end of his greatly productive life, Prokofiev revisited some of his earlier works with which he wasn’t entirely happy. One of these pieces was the Fourth Symphony, Op. 47, written under commission from the Boston Symphony and premiered by that orchestra in 1930. The symphony was based on themes from Prokofiev’s ballet The Prodigal Son, composed for Sergei Diaghilev’s Ballets Russes. Critical reaction to the work was lukewarm at best. The consensus was that Prokofiev’s Fourth Symphony was much less successful in recycling music written for the stage than the composer’s Symphony No. 3, based on themes from his opera The Fiery Angel. Prokofiev was so stung by the criticism that he defended his new symphony in the press—and that hurt and embarrassment stayed with him when he went back to Russia in the mid-1930s. In 1947, Prokofiev returned to the symphony, […]