Scholl – Invocazioni Mariane (Works by Porpora, Vinci, Anfossi, Pergolesi, Vivaldi) – Andreas Scholl, countertenor; Academia Bizantina, dir. A. Tampieri – Naïve V5474 – 76 min. – ****
The latest album from Andreas Scholl, Invocazioni Mariane, showcases the countertenor’s enduring talent and the exquisite artistry of the Academia Bizantina under the direction of violinist Alessandro Tampieri. Recorded in May and June of 2022 at Auhausen, this album explores Italian music associated with the Virgin Mary, featuring compositions by Nicola Porpora, Leonardo Vinci, Pasquale Anfossi, Pergolesi, and Vivaldi. Those streaming the album get a bonus!
The sound captured in this recording is characterized by a big resonant space where the orchestra’s dynamic flourishes do not echo but rather wash up the walls like water splashing against the sides of a pool. This immersive quality complements the baroque repertoire, adding depth to the listening experience. This quality is prone to hiding details but when Scholl joins the orchestral forces, a good balance is reached.
Porpora’s Il trionfo della divina Giustizia ne’tormente e morte di Gesù Christo opens the album with an orchestral overture that is both austere and engaging. Scholl’s sublime vocal touches bring a smile, particularly in the first aria, Occhi mesti, which is severe in its flavor yet navigated with aplomb by Scholl. The orchestral forces have a significant role in the sung parts, and the instrumental approach matches the character of the music perfectly.
Pergolesi’s violin concerto, performed by Tampieri, is another highlight. Known primarily for his Stabat Mater, Pergolesi’s stylistic signature is evident in this piece, which stands as a testament to his potential. The inclusion of this concerto is likely a nod to Pergolesi’s most famous work, previously performed by Scholl.
Of special note is Vivaldi’s Stabat Mater, RV 621, which Scholl has recorded twice before. This rendition surpasses previous recordings in sound quality and Scholl’s approach as a soloist. His voice, polished and youthful in timbre, integrates seamlessly with the orchestra, maintaining balance without overshadowing it. The ensemble’s playing under Tampieri’s direction is tighter and more focused, enhancing the overall performance.
Leonardo Vinci’s Oratorio Maria dolorata features dramatic orchestral and vocal writing, with Scholl harmonizing beautifully with the cello solo by Alessandro Palmeri.
Pasquale Anfossi’s Salve Regina from 1779, however, comes across as more operatic than religious, with a Mozartean energy that contrasts with the baroque pieces. Scholl’s restrained style seems mismatched with the flamboyant orchestral writing, leaving a less impactful impression. I cared less for the work by Anfossi. The music’s far more classical-leaning style combined with the lack of dynamics in Scholl’s style left me in want of something more theatrical. Despite it not being an opera, per se, the style is unmistakable in what was left to us by the composer.
The closing instrumental piece (available on the streaming version of the album) Sonata imitatio in Salve Regina, Mater Misericordiæby Angelo Ragazzi, is solemn and reflective, featuring Corellian trio sonata elements and providing a graceful conclusion to the album. Tampieri’s precise direction and Scholl’s refined vocal technique create a compelling listening experience throughout the recording.
Invocazioni Mariane is a strong revival for Scholl in collaboration with Academia Bizantina for fans of baroque vocal music—specifically religious works featuring the countertenor. It excels in its interpretation and presentation of lesser-known works, making it a valuable addition to any baroque music enthusiast’s collection. Scholl’s voice remains a paragon of baroque clarity and purity, while the focused and nuanced direction of Alessandro Tampieri elevates this album to new heights. For those who had any misgivings about Scholl performing Vivaldi’s Stabat Mater, this recording brings out Scholl’s best yet.
—John Henderon
For more of John Hendron’s reviews, please visit his website BiberFan.org
