Monthly Archive: August 2008

COPLAND: Piano Variations; Piano Sonata; Piano Fantasy – Robert Weirich, piano – Albany

COPLAND: Piano Variations; Piano Sonata; Piano Fantasy – Robert Weirich, piano – Troy 989, 72:09 [Distrib. by Albany] ****: Pianist and composer Robert Weirich, a respected member of the Conservatory of Music at the University of Missouri, Kansas City, whose own pupils include Awadgin Pratt and Stanislaw Ioudenitch, turns his digital attention to the large keyboard works of Aaron Copland, 1930-1957, of which the 1930 Piano Variations still retains a Spartan, shocking power and abstract colorations that both mesmerize and confound us at once. In a parody of Beethoven’s Fifth, Copland uses a declamatory four-note motive that Copland subjects to a series of classical procedures, including some rude, octave displacements that may well have inspired Varese. The music well captures the ethos of 1930, its bleak economic and social prospects, on the verge of world calamity.   The variations themselves employ improvisatory elements, jazz rhythms, the tune played against its own inversion, a veritable synopsis of techniques employed by the Second Viennese School and co-opted by the pupils of Nadia Boulanger. That Copland conceives of the piano as fundamentally a percussive instrument there can be no doubt. That Weirich can salvage some lyricism and palpable sweetness from the contrived clangor […]