Monthly Archive: February 2012

Audio News for February 28, 2012

Article on Return to Analog and Hi-Res for High Fidelity; Stereophile Poll Shows SACD Preferred Format; IOGEAR Adapter Brings Surround to Stereo Headphones; Boston Acoustics Quits Auto Stereo Market

VILLA-LOBOS: Symphony No. 4 “A Vitoria”; Piano Concerto No. 5; Momoprecoce Fantasia; Chorus No. 5 for Piano – Soloists/ Orch. Nat. de la Radiodiffusion Francaise/ Heitor Villa-Lobos – Urania

VILLA-LOBOS: Symphony No. 4 “A Vitoria”; Piano Concerto No. 5; Momoprecoce Fantasia; Chorus No. 5 for Piano – Soloists/ Orch. Nat. de la Radiodiffusion Francaise/ Heitor Villa-Lobos – Urania

VILLA-LOBOS: Symphony No. 4 “A Vitoria”; Piano Concerto No. 5; Momoprecoce Fantasia; Chorus No. 5 for Piano “Alma Brasileira” – Felicia Blumenthal, piano (Concerto)/ Magda Tagliaferro, piano (Momoprecoce)/ Aline van Barentzen, piano (Choros)/ Orch. Nat. de la Radiodiffusion Francaise/ Heitor Villa-Lobos – Urania Records Widescreen Collection WS 121.133, 75:32  [Distr. by Albany] ****: Composer Heitor Villa-Lobos (1887-1959) enjoyed a healthy reputation as a conductor of his works, having recorded for EMI and assorted labels. This collation begins with the composer’s powerful inscription (no dates supplied) of his 1919 Symphony No. 4 “La Vitoria,” a passionate dirge and celebration for the end of the First World War. The brass and battery of the French National Radio Orchestra have their work cut out for them in the course of the first two movements, Allegro impetuoso and Andante, respectively. The aggressive second movement projects a series of cascading woodwinds before the appearance of “La Marseillaise” in dire harmonies.  The music becomes ferociously martial in character, Villa-Lobos’ raucous answer to the 1812 Overture or Mazeppa. A powerful romantic string figure rises up over drum beats and achieves a whirling, chromatic melancholy, ending with an explosive chord. The four contrabassoons help lead us into the […]