Monthly Archive: March 2009

GEORGE ENESCU: Impressions from Childhood, Op. 28 (orch. Grigoriu); Chamber Symphony for 12 Instruments, Op. 33; Piano Quartet No. 2 in D Minor, Op. 30 – Sherban Lupu, violin/Sinfonia Da Camera/Ian Hobson, piano and conductor – Albany

GEORGE ENESCU: Impressions from Childhood, Op. 28 (Orch. Grigoriu); Chamber Symphony for 12 Instruments, Op. 33; Piano Quartet No. 2 in D Minor, Op. 30 – Sherban Lupu, violin/Sinfonia Da Camera/Ian Hobson, piano and conductor –  Albany TROY1100, 72:29 ****: From the first note of Sherban Lupu’s violin, opening “The Fiddler” in gypsy style–only a hair’s breadth from the swarthy-folk violin that begins Peer Gynt–the Impressions of Childhood (1940) of George Enescu (1881-1955) for violin and small orchestra,  we revel in the virtuoso syntax that rivals Ravel’s solo work in Tzigane. The Old Beggar plays an anagram (E-E-flat-C) based on the name “Enescu,” since “es” is a common conceit utilized by Bach. Its harmonies neither traditional nor raucously avantgarde, the piece–as in the eerie Springwell in the Garden–communicates a modal sensuality that careens between Debussy, Berg, and Bartok. High harmonics reign with flute for The Caged Bird and The Cuckoo Clock. Lullaby conveys its own idyll of childhood. Cricket lasts a mere 30 seconds of pure transcendentalism. Moon Across the Window might be an interlude from a Berg opera or Enescu’s own Oedipe. An ephemeral Wind in the Chimney moves to a Storm Outside in the Night, quite ominous with […]