Monthly Archive: February 2013

Silke Avenhaus – “Salon Chromatique et Harmonique” = WAGNER: Sonata in A-flat Major for Madame M.W. ; Isoldens Liebestod (arr. Liszt); LISZT: Seven brilliant Variations on a Theme by Rossini; Soirees de Vienne – Caprices After Franz Schubert: Nostalgic Waltz; Li Marinari from Soirees musicales de Rossini; R.W. – Venezia; La lugubre Goldola No. 1; Apres une lecture du Dante: Fantasia quasi Sonata; ROSSINI: Une caresse a ma femme; Valse lugubre No. 4 – Silke Avenhaus, piano – BR Klassik

Silke Avenhaus – “Salon Chromatique et Harmonique” = WAGNER: Sonata in A-flat Major for Madame M.W. ; Isoldens Liebestod (arr. Liszt); LISZT: Seven brilliant Variations on a Theme by Rossini; Soirees de Vienne – Caprices After Franz Schubert: Nostalgic Waltz; Li Marinari from Soirees musicales de Rossini; R.W. – Venezia; La lugubre Goldola No. 1; Apres une lecture du Dante: Fantasia quasi Sonata; ROSSINI: Une caresse a ma femme; Valse lugubre No. 4 – Silke Avenhaus, piano – BR Klassik

A musical soiree of poignancy and power, embracing Rossini, Liszt, and Wagner in their respective keyboard personae.

Astor Piazzolla – Tanguisimo (9 CD set of early tango recordings involving Piazzolla) – Chant du Monde

Astor Piazzolla – Tanguisimo (9 CD set of early tango recordings involving Piazzolla) – Chant du Monde

Astor Piazzolla – Tanguisimo (9 CD set of early tango recordings involving Piazzolla) – Chant du Monde 574 2200 07 [Distr. by Harmonia mundi] ***: Piazzolla (who I was lucky enough to hear in person prior to his death in 1992) was the second real icon in Argentine tango music alongside Carlos Gardel. He raised tango to the ranks of classical music without causing it to lose any of its force and character. His shaking-up of tango’s musical codes seemed sacrilege to the older generation, but was a needed revolution to those who wanted modernity. He was a virtuoso performer with a mastery of his instrument—the large-button bandoneon—noted for its unwieldy size and difficult fingering. I was greatly excited to see this compendium of Piazzolla’s recordings from 1945 thru 1961, which was subtitled “The birth of a revolution.” But I found listening to all nine CDs eventually was a bust. Aside from one track of Piazzolla’s lovely “Adios Nonino,” and a few of pseudo jazz on discs 6 & 7, the collection is mostly standard tangos of the time and towards the end some really embarrassing pop numbers recorded in the U.S. when Piazzolla was forced to do arrangements and orchestrations […]